The Stockton Insane Asylum Murder Read online

  The Stockton Insane Asylum Murder

  A Portia of the Pacific Historical Mystery

  Volume 3

  JAMES MUSGRAVE

  All rights reserved.

  ASIN: B07KJF6H9Q

  Published at EMRE Publishing, San Diego, CA

  The Stockton Insane Asylum Murder

  By

  James Musgrave

  © 2019 by James Musgrave

  Published by English Majors, Reviewers and Editors, LLC

  An English Majors, Reviewers and Editors Book Copyright 2018

  All rights reserved. No part of this book may be reproduced or transmitted by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner, ex

  cept for a reviewer who may quote brief passages in a review.

  This novel is a work of fiction. Names, characters, places and incidents are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, events, or locales is entirely coincidental.

  English Majors, Reviewers and Editors Publishers is a publishing house based in San Diego, California.

  Website: emrepublishing.com

  For more information, please contact:

  English Majors, Reviewers and Editors, LLC

  6784 Caminito del Greco San Diego, CA 92120-2219

  DEDICATION

  We have come full circle. In the Nineteenth Century, insane asylums, for the most part, were prisons. Today, prisons, for the most part, are insane asylums. This book is for all those who have become victims of the continuing business of mental illness.

  Acknowledgments

  As far as I know, I am the first author to include his or her readers inside one of his or her mysteries. Please notify me if you have done this before. The women pictured, from left to right, Melissa Wilkinson, Jessica Adkins (at age 15), Sidney Reyes, Katherine Yantis, and Angela Thoma, won a raffle I held to feature them as characters and patients inside the Stockton State Insane Asylum in 1887. After they gave me personal information about their “crazy” idiosyncrasies, I crafted character outlines and then devised creative ways to include these new five characters in my mystery. This was quite a challenge to my imagination. I knew I not only had to create interesting and creative characters, but I also had to weave them into the plot of a mystery. However, after establishing a private group on Facebook, we were able to work together to compose and transform these fine ladies into Nineteenth Century insane asylum “lunatics.” I have complete and signed permission from each woman to use their personal names and identities, although my fictional portrayals are a rather bombastic interpretation of their actual personalities. In fact, as I got to know them better on our book’s social web page, I understood how much more interesting and beautifully diverse they were in “real life.” Some are professionals working in challenging and rewarding occupations. Others have real experiences, including testifying at a murder trial, communicating with spirits inside haunted locations, and working hard at academic studies in college.

  In fact, I truly believe the future of writing novels, especially historical novels, will contain the inclusion of readers in many ways, (see the recent “Bandersnatch” episode of the innovative Black Mirror series). The social media aspect of writing has progressed at full-throttle, and authors must find new ways of attracting their readers that allows them to participate uniquely in the entire writing process. Gone are the days of the lonely author, researching and pounding out his tome in utter solitude. Instead, today’s savvy readers want more. They want to become involved right away. They even enjoy being participants in the author’s creative process. Finally, they want to be able to act-out as characters inside an interesting mystery, and field questions from a waiting and eager public.

  This is exactly what we’ll be doing during our book launch, and continuing into the next book in my series, The Supreme Court Murder, in which a recent nominee to the 1887 United States Supreme Court is assassinated by a female and fanatical suffragette. This fictional nominee, Judge Marshal Owens, is a misogynist and womanizer, and Clara Foltz must defend his killer in a Washington D. C., much publicized trial.

  Please join our social page to ask questions of these wonderful characters and the author.

  Other Works by This Author

  Forevermore: A Pat O’Malley Historical Mystery

  Disappearance at Mount Sinai: A Pat O’Malley Historical Mystery

  Jane the Grabber: A Pat O’Malley Steampunk Mystery

  Steam City Pirates: A Pat O’Malley Steampunk Mystery

  The Digital Scribe: A Writer’s Guide to Electronic Media

  Lucifer’s Wedding

  Sins of Darkness

  Russian Wolves

  Iron Maiden an Alternate History

  Love Zombies of San Diego

  Freak Story: 1967-1969

  The President’s Parasite and Other Stories

  The Mayan Magician and Other Stories

  Catalina Ghost Stories

  Chinawoman’s Chance

  The Spiritualist Murders

  "Madness can be seen as an intuitive probing into true reality."--R. D. Laing

  Table of Contents

  Chapter 1: Undercover

  Chapter 2: The Home Fires

  Chapter 3: The Intent of the Insane

  Chapter 4: Adeline the Spy

  Chapter 5: The Five

  Chapter 6: Sex, Mayhem and Squalor

  Chapter 7: Lost Souls

  Chapter 8: The Visitor

  Chapter 9: Right from Wrong

  Chapter 10: The Other Experiments

  Chapter 11: A Killer on the Loose

  Chapter 12: Everyone Can Dance

  Chapter 13: Return to Sanity

  ABOUT THE AUTHOR

  Chapter 1: Undercover

  The Women’s Section, First Floor, Stockton State Insane Asylum, April 22, 1887.

  There she was. Polly Bedford, age twelve, stooped-over in the shadows behind a row of bunk beds. Seated at a scarred wooden school desk, Polly was concentrating on her pencil drawing. She wore the patient’s navy-blue frock pull-over with her initials “P.B.” stitched on the left arm sleeve. Polly appeared to be drawing her residence inside the Women’s Ward at the State Insane Asylum at Stockton. Her tongue tip was protruding from the corner of her mouth, and she kept pushing a strand of black hair back from her forehead, as she looked up from her tablet to view the interior of the ward.

  As seventeen-year-old Bertha May Foltz walked up behind her, she could clearly see the bunk beds in the girl’s drawing, the wash room, the dining room, and the windows, through which patients could observe their rural surroundings. Except, instead of creating people shapes--patients, doctors, nurses and visitors--Polly had colonised her mental ward with walking and talking medicine capsules. Each capsule, whether it was a patient or not, had stick arms and legs, and every face was drawn onto the top half of its pill torso.

  Bertha, after reading the biography of Civil War Superintendent of Union Nurses, Dorothea Dix, became very interested in medicine. She would beg to go with her mother, Attorney and Detective Clara Foltz, every time one of her cases required that she visit the hospital or the coroner’s office. When the homicide of ten-year-old Winnifred Cotton took place, just three doors down from where Bertha and her family lived in the mansion at One Nob Hill, Bertha decided she wanted to help her mother with the case. Not only was Polly Bedford a friend of Bertha’s, she was also a member of the same choir that sang at Bertha’s grandfather, Reverend Elias Shortridge’s tent revivals at the sand lots on the Market Street side of Sa
n Francisco City Hall.

  However, the secret reason Bertha wanted to help her mother was because her older sister, Trella Evelyn, and older brother, Samuel Cortland, had played important parts in the mystery the year before concerning the spiritualist murders. Bertha had watched them both as they pranced around the bedroom, claiming to have discovered this or that clue to contribute in the search for the killer. Samuel eventually broke the case wide open and was able to rescue their mother, Trella, and Samuel’s future girlfriend, Adeline Quantrill, at the strange Sarah Winchester House in San Jose.

  Bertha May realized that Polly Bedford’s art was a probable reflection of the drugs she was being given to alleviate her high anxiety, such as potassium bromide, and to get her moving when she was in the valley of her melancholic despair, Strychnine. Of course, there was some wisdom in the girl’s portrayal of drawn characters, as many of the staff could be seen, every night, slipping into the private suites on the top floor to sell cocaine, opioids, and even morphine to the wealthy female patients.

  These rich patients never worked in the garden or on the farm. Instead, they stayed on the top floor, playing the piano, babbling incoherently about their paranoid suspicions, and grazing like lowing cattle at the ever-present collection of hors devours placed all around on tables inside their main dining room. They didn’t have to sit at the main table downstairs with the poor patients.

  In their drugged state, Bertha saw them to be the privileged insane, and every poor patient below, who was required to be shackled when not working outside, gave them envious looks when they spotted these women dancing, like ghosts, back and forth along the carpeted stairwells. They wore fashionable dresses with full bustles and ornate embroidery, and yet they acted like lunatics.

  Bertha May was being supervised from San Francisco by her mother. Bertha was there to infiltrate the Stockton asylum, while pretending to be insane, with the sole purpose of questioning Miss Polly Bedford. Bertha was told by Clara that Miss Bedford had been committed by her parents because she had witnessed a murder which had taken place inside their residence, a stately mansion in the Nob Hill section of San Francisco. Clara also told Bertha that the Bedfords did not want Polly involved, and so they were willing to declare their daughter insane to keep her safe and legally out of the way. It was going to be Bertha’s important job to discover who or what Polly saw on that night and to report back to Clara.

  However, this case was much more complicated than the spiritualist murders. First of all, Bertha knew the murder witness, Polly Bedford. Bertha had played dolls and done homework with Polly, and Bertha had never found the younger girl to be belligerent or mentally strange. Therefore, Bertha was chosen by Clara to find out the identity of the person Miss Bedford allegedly saw commit this murder of Miss Winnifred Cotton, age ten, on January 3, 1887. If she discovered that Polly was not really insane, then she was going to explore how the institution was able to get so many people committed. However, Clara had explained to Bertha, at some length, she was not to steal or commit any crimes during her snooping adventure.

  Bertha was going to see if she could determine what made this entire state asylum business run, and even though she knew her mother was looking out for her safety, Bertha was going to take all the risks she needed to accomplish her goal. If her brother, Samuel, could join the Tong Gang and spy on a spiritualist, then Bertha could be just as adventurous—perhaps even more so.

  Her mother and the Cottons believed that mental illness was being sold as an easy way to get rid of troublesome wives and children and to secretly formulate a scheme whereby immigrants could be tricked out of their property and wealth by being committed. No money could come from the State of California to the State asylums at Stockton and Napa, unless the patients were ruled indigent.

  Therefore, the same panel of doctors and state clerks was employed each year to do this nefarious business of separating the profitable wheat from the insane chaff, resulting in an incredible government statistic that said, “in 1886, alone, one out of every 435 Californians had been declared insane by the State.” As this was an important women’s and human rights issue, Clara and her team were motivated to uncover any illegal activities that might surface during their murder investigation. Bertha was overjoyed at being part of her mother’s team at long last.

  All Bertha knew before she was committed by her mother to the asylum was that Mr. Charles Cotton, President and Owner of the Cotton Gin Liquor Imports on Market Street, had deposited five hundred dollars into Bertha’s personal bank account. Bertha was going to help her mother do what the City of San Francisco’s Police Department was not permitted to do: find the killer of Charles Cotton’s daughter.

  “I have a new game we can play,” Bertha spoke to Polly, sitting beside her chair, down on the lower bed of a nearby bunk ensemble.

  Bertha watched the girl place her pencil down on the desk’s top. She turned in her school chair and faced her older inquisitor. “Can we play Mental Metamorphosis again?”

  It was as if an invisible force had sucked all the air out of the room. After the name of this game was released, the priority was now to breathe and to survive. Nothing else mattered. Bertha also understood what she must do. Using the girl’s superior imagination and sensitivities to access her mind was a stroke of genius.

  “Of course, we can,” said Bertha, reaching out to capture the girl’s hands in her own. “Instruction happens so much faster when the message can be implanted directly inside the brain. When you think, you are thinking for the collective good. Unless you control the actors, anything could happen, and that is the path toward chaos.”

  Polly moved out of her school chair and walked over to where Bertha was seated on the lower bed. Bertha knew this might be the only chance she got to obtain the information she needed. The staff was out supervising the farm and garden work of the others. Only kind old Mrs. Betterman, the baker, was left to mind the asylum, and she was almost deaf. Bertha set the stage immediately.

  “What is the kernel of fear? We all have it, do we not?”

  Polly stared straight ahead. “Not all. Some have no fear. They get trampled saving children and the elderly. Burnt to a cinder fighting Hell itself. Lost on the battlefields of the wars. I know one person who is the incarnation of Lucifer, the Fallen Star. I saw him murder an innocent. All the murderers are rejoicing. They at last have a hero on Earth to guide them.”

  Bertha spread out her dress with her palms, smoothing the material against her thin body. She was proud to be thin, and she thought her mother’s weighty torso was unbecoming an active Suffragette for international women’s rights. Back to her immediate concern, Bertha knew she needed more specific details about this Lucifer. “What did this demon look like? Certainly, he wasn’t an apparition. You can’t believe in ghosts.”

  A breathtakingly chilly vacuum devoured the space around them. Polly shivered, the first human reflex exhibited by her.

  “You would pray there were ghosts, because no human could stop him. When he turned toward me, I saw his face was a continually changing compendium of different people’s faces. I fantasized under stress about the possible reasons for this to occur. I may have eaten something horrid or poisonous. Or, supernaturally, I may have been put under a curse of some kind. Could I be an enemy of the government, who needed to be disposed of?” Polly’s face became a bit animated, as she spoke, but her body remained rigid.

  “What were you forced to do?” Bertha strained forward to take the girl’s hands. “It’s time to use your mental metamorphosis. If you become his mind, as he is in the act of killing a girl, tell me what you would be thinking and how you could change the reality of murder into something worthwhile and even redeeming.”

  The four times previously, when Bertha attempted to access Polly’s mind, events kept occurring to interrupt the proceedings. Once it was an earthquake, once a fire alarm, and twice other patients had gone off the deep end and caused a ruckus. This was the moment Bertha had been long awaiting. r />
  The eager smile on the girl’s face demonstrated to Bertha that there were conflicting psychological forces at work. Polly, by all academic and social standards, was a genius child, a prodigy, but this turn of events had thrown the social welfare officials and newspaper journalists into an increasingly pessimistic state of conjecture. The idea that a girl’s mind, especially a mind that came from such noble breeding, could be declared broken, was inconceivable.

  Polly whispered, “I must stop the energy in this poor damsel. If she is allowed to grow older and breed, then the entire society is endangered. One small incision …”

  Bertha watched Polly’s right hand. It was in the posture of holding a pen or perhaps a cutting utensil. She held it over something, her eyes focused upon the cutting motion being made by her empty but purposeful fingers.

  “Polly, dearest. You may now metamorphose your brain and take control of his. What can you do to prevent this immoral act from occurring?”

  As a result of public conjecture, Polly’s existential reality was the daily emotional fodder for the masses. This or that doctor or nurse (whose efficacy was open to bidding) would secretly tell the press how the girl’s parents were to blame and that no child can become insane without a direct influence from the parent figures. Other journalists would speculate that the government was behind a huge cover-up, and so many citizens were being adjudicated insane to keep them quiet. According to conspiracy fanatics, these inmates knew something, and they had to be kept silent.

  Bertha could hear the commotion at the asylum’s front entrance. The girls had returned from their labors in the garden and on the farm. She took hold of her chain and dragged the ten-pound steel cube across the room to her bunk. Bertha knew that the moment the workers came into the ward they, too, would have these shackles affixed to their legs.